Griffiti Title on a Wall - Urban Art?

It's vandalism in it's best form...graffiti art.

Graffiti is many things. It’s an artistic expression wrapped in vandalism of property, wrapped in a refreshing escape from an often cold and mundane urban environment. It’s a showcase of talent and testiment to a free spirit. Lot of people have very polarized views on graffiti’s merits with some who love this independent expression of visual art while some simply see a scrawl of a criminals intent.

I have to say that I have personally had a long standing connection with graffiti art. I find the talent of creations I have stumbled upon in various back alleys to often impress me….sometimes very highly.

Lady of Kensington Market - Murals...Graffiti's big brother

Toronto is one of the many urban places where graffiti and back alley murals range wide and far. Above this exceptionally created wall art decorates one of the back brick facades of a store in Kensington Market. More mural that flat out graffiti, it is art in an open public place and was likely a commisioned work rather than a guerilla undertaking. Either way it is a wonderful surprise to come across works like these as they are truely a honest work of art simply for it’s sake alone.

Psycho Pumpkins and Knives - back alleyway graffiti in the jungle

Another alley, another artwork, this time complete with stylized lettering which is a common hallmark found complimenting or sometimes “being” the graffiti in and of itself. Often graffiti artists seem to relish in elaborate and unique lettering and tags in their artworks. Even the most basic form of graffiti known as the “tag” is usually some form of highly stylized script that flashes the artists name, affiliation to a group or acronym of some sort.

Tagging is probably the most common graffiti to be found in the wild

heavily tagged van

Vehicles are game too for the tagger carrying a marker or spray can.

a large graffti tag under a bridge

Under a Bridge - a common hideout for graffiti like this large size tag.

tagging of a no parking sign

White paint marker strikes this time on this tag.

a comment on society tagged on a life buoy station

Message to the People

Sometimes graffiti is also less about an art form than it is a public forum for passive aggressive types who have something to say about their view of the world. Often it is a voice of displeasure in some form decrying against perceived injustices like this message found marked onto a life buoy station. Seeing messages like this doesn’t change your opinion necessarily but it reminds you to validate your opinions intermittently. When considering this particular message, I wondered if the author intended any implied symbolism of a life buoy station being the placard for a message about neglected youth or was it merely a coincidental accident.

It’s often that these miniature social commentaries are tucked away just within view of the regular public, to almost act as a sub-concious barometer of societal state. When one breaks away from their own existence long enough to start to notice these little messages you begin to consider how many people voice themselves in the form of graffiti.

There are lots of examples of these hidden all over, you just start to notice them when you think about it.

a inspiring message written in public

Messages like this are found all over the urban landscape.

a existential message

An existential message found inside a covered walkway

Wether you like graffiti or not it’s hard to deny that there is something more to it than just vandalism of property. Often it’s offensive, questionable, ugly or just plain rude, but when you start to think about why the graffiti is there in the first place it’s more about an art form mixed with rebellious social commentary, who’s intent is often to  generate a reaction.

offensive graffiti photo

Often graffiti is just for the sake of rebellion.

Finally I’ll leave you with a quick video. Like I mentioned earlier I’m often delighted when I stumble upon graffiti where ever I find it. The video below shows a impressionistic view of one alley in Toronto that was home to some very skilled artists works. Hopefully you’ll come across some graffiti in your day to day that will make you pause for a while and consider it’s existence.

All photographs, artwork, written word and video is copyright Sound Pro Studios, April 2012. No unauthorized copying allowed.

 
Image of tripod with crossed out circle through it.

Tripods are great....but sometimes they are not.

The simple bean bag is an effective alternative to a tripod for stable shots.
Tripods are most certainly a highly utilized tool in photography and video but they suffer from two key shortcomings… they cost money - sometimes several hundreds or even thousands of dollars and… they are heavy – making lugging them everywhere you go a less than enjoyable experience.  

The alternative to all this is of course to go handheld or rely on in camera stabilization. Not everyone is going for the Bourne Conspiracy style of frenetic and shaky camerawork and often it screams amateur and distracting. In camera stabilization is a mixed blessing as it usually is an improvement when shooting handheld but it is near impossible to get truly stable shots, particularly with video. Finally, what if you want to be in the shot? With a tripod no problem, but without something to hold the camera you take your chances setting a camera on a rock, stump, car hood, etc which your expensive gear might topple off.  

So now I make a case as to why the unassuming bean bag can come to the rescue and give your footage or photos that much needed stable base.  

A bean bag is virtually free, or at least dirt cheap!  

All thats required are some beans, a bit of cloth, some thread and a small bit of time. If you can’t find these items around the house a stop by your local bulk food store will get beans for mere dollars. As for cloth, you never did like that gag t-shirt your annoying aunt gave you for your birthday anyway, so cut it up into some 8 inch squares of fabric and get to work.  

A bean bag is small, light and convenient.  

This is a big plus as something so easily transportable means it gets used rather than being left in the car or at home. Nobody enjoys lugging a 20 pound tripod on a long hike or other out of the way areas. I keep a bean bag in my car all the time for when I am out and come upon a shooting opportunity, as I always have a camera with me but not always my tripods.  Depending on what size you make they are generally small and light enough to fit inside a coat pocket…double bonus!

It’s safer than resting your camera on stuff.

beanbag supporting camera on car roof and on small tree branch

A bean bag can be safer than trying to balance your camera on stuff.

Even if you are just placing your camera on the ground or a flat surface, adding a bean bag under the camera allows you better options for adjusting the angle of your camera and gives great support that conforms to bumps, round surfaces or all the other at hand objects that might support your camera.  

Other benefits are:

Supporting reallllly big telephoto lenses…  

Ethan Meleg Outdoor Photography using a purpose made bean bag to support a very large telphoto lense.

Ethan Meleg Outdoor Photography supporting a huge lense with a purpose made bean bag.

Adding weight to tripods when it’s windy…  

Bean bags adding weight to the base of a tripod

Bean bags can add some extra weight to a tippy tripod or when windy.

You can play with them…

 

All kidding aside, a bean bag is something that at the very least may be your lowest cost bit of gear, be awarehowever that it does not replace tripods or other gadgets for all situations. A bean bag really only works with static shots, so if you were hoping to pan across a vista or follow some ongoing action then a bean bag is not going to suffice. It also is generally of most use when you can place it on an object some distance off the ground, unless all you do is shoot worms frollicking in the grass. The nice thing is that almost always there are handy things to set the bean bag on and then nestle in your camera.

So there you have it….for mere pennies and a tiny investment of time you can make a bit of kit that can help take the shakes out of your video or get a better photographs.

Image: (Photo_car-beanbag_02_EMELEG2) courtesy of Ethan Meleg – http://ethanmeleg.com/

 

image for how to shoot better event video

Bring that video camera to the next big event!

Owen Sound, Ontario recently held it’s second Lupercalia – Winter Art & Culture Festival hosting a wealth of bands and artists covering a whole range of genres. Events like these are exceptional opportunities to pull out a video camera and capture some of the festivities and it was evident that many people did just that. Facebook pages have lit up with home spun videos of various musical acts from many of the venues.  Several suffer from some common foibles such as shaky cam, lack of focus, poor audio or other issues, conversely getting low views and are not appealing to watch.

Not everyone is striving to be a pro videographer but it doesn’t take much to raise the bar a bit and turn event video coverage from mundane or amateur to something that both satisfies from the viewers and creators perspective. I use Lupercalia here as an example because it is typical of a range of scenarios you’ll find yourself in when you go out to try and capture that next great event with video.

Bring on the concept!

Always begin with some planning and thought as to what you want to try to achieve with your video. Knowing a little about the event, venue and possible shooting situations goes a long way to making the shoot develop smoothly. The planning is often more important than the moment as it’s so easy for things to get overwhelming fast when events start unfolding. My example here is that for each of the venues I attended during Lupercalia I wanted to make sure that I got an exterior establishing shot of the venue, a locked off tripod shot of a least one song by each artist, and roaming shots for cutaways. Finally I wanted to get a bit of audience reactions as well to show the events popularity. While your plan will always be specific to the event, think it out as to what you need to bring back to your editing system to tell the story.

The above “Charles Glasspool Overdrive” video is a proof of concept. Establish the event by opening with the venue, use two cameras to allow for a wide static shot and alternate/closeups and end with showing the audience enjoying the performance.

Bring the best tools you can.

Not everyone has access to high def cameras, tripods, standalone audio recorders and the like but chances are you have friends! Beg, borrow and ask around and you’ll often find missing bits of gear that can help. The biggest of these for music events is often the audio recorder as most on-camera microphones are not good at capturing music. In lieu of a tripod a beanbag is a excellent tool to settle a camera on to get steady footage. There is something to be said here for multiple cameras too! A single camera really ties you to certain concepts and often is very plain. With just one extra camera you can set one up for the static “wide” shot of everything and have the second roaming for closeups and good B-roll.

“Mack n the Boys” video really developed well using two cameras to allow for a lot more room during editing to make things more interesting than a single static shot.

Location, Location, Location.

No, we are not talking about real estate here, rather the key that you need to set up your camera’s with good sight lines to your subject. Think before you place your cameras as to audience traffic and avoid it. Nothing is worse than your expensive camera being toppled by someone or your shots ruined with people walking through the frame every six seconds. Often high and center is a good location for a locked off camera, and a second can often be at the front and to the side of stage/subject to get b-roll. Something that may not come to mind is that most guitarists are right handed and being to their right (your left) generally allows you to get closeups of their playing and guitar fretboard without turning from your view.

Find your groove.

Enjoy the event but also make sure that you are not detracting from others enjoyment while doing so. Ask for permission to film from venue owners, make contact with the artists when possible and be friendly. Making contacts is part of the process that may lead to future opportunities and courtesy for patrons is key to ensure that roving videographers do not piss people off and garner bans or premature expulsions! Finding your groove is also about rolling with the moment and being open to changes as they develop. If you notice that your audio is too hot don’t sweat it, just roll down the level a bit for the next song. If a venue is really dark then be satisfied that you will have to boost the gain in your camera and live with the noisier footage.

Get it out there. 

Finally don’t sit on your footage. Event videography is often a timely endeavour and people have a short memory. Try to get your footage edited and out there as soon as possible after the event occurred. You are more likely to get views while people are still fondly remembering their own experiences and see that a video exists for the same event they just attended.

So wether it’s Owen Sound’s Lupercalia Festival, Summerfolk, Wiarton Willy Festival or any of the other great events held throughout Grey and Bruce counties get out there and film them and take it to the next level!

Lupercalia – Winter Art & Culture Festival is proudly presented by Josh Richardson, for more information visit the website:

http://lupercalia.ca/

 
Camera Running Image

Work it!

Of all the photographic tips to be found, I offer here the single most important tip for photographers.  The one most important way to improve on your creative works doesn’t require fancy lenses, high resolution cameras and intricate setups. What it requires is a method of placing yourself at the right place to capture an image that really creates a wonderous composition. Another way to look at it is that you require a workflow to your shooting time that will increase your chances of capturing that great compelling visual image.

Let’s explore a common scenario….

Greg is driving down the highway and see’s a photo opportunity that he thinks will rival those incredible landscape photos he see’s all the time in National Geographic magazines. He pulls out his ever handy iPhone and snaps a photo of sunset over a pristine looking lake and smiles to himself thinking “Got it!”.  Later that evening he loads the photo onto his computer and has a look at his masterpiece. As he brings up the photo on the monitor dissapointment starts to climb as he see that…yes..he snapped a photo of the lake with a nice looking sunset but it lacks something. Even worse he notices that he has telephone lines running through the upper half of the photo, the flock of geese he had noticed at the lake are nowhere to be seen in the shot and overall the photo just lacks visual impact.

Sound familiar? It’s not for lack of opportunity that the photo didn’t turn out as well as Greg had invisioned. Rather, Greg would have done better to have spent some time utilizing a technique commonly used by many photographers. So what is it? It can be summed up in three simple words.

Work The Shot.

What does this mean? Simply explained it means to move around, capture your subject from several different angles, focal lengths and positions, essentially “working” the shot from many different standpoints. You increase your odds at capturing a great image when you have several photos to choose from rather than one or two. Often even more revealing is that by moving around your subject you will see new compositional elements present themselves that you might otherwise miss. In the example above Greg took his photo from the road, standing…a very typical scenario, creating a very typical photo. If Greg were to “work the shot” by walking down to the shoreline of the lake he would have noticed the incredible water lilies along it’s edge, the geese gathering into a group and those pesky hydro lines would now be behind him. Working it further he would have found that rather than standing, if he positioned his camera close to the ground and zoomed in a little he could really fill the image with a unique looking mix of water, lilies, and sky and the geese now presented themselves in silhouette against the rich golden sunset….now we are getting somewhere!

This photographic tip is not specific to landscapes, or any other particular style of photography. Every photo you take can benefit from “working” it and exploring a number of options. One of the great things about digital photography it really costs nothing to take several photos and then pick and choose the best.

Another example would be capturing a portrait photo outdoors under natural sunlight. There are several possibilities here but working the shot involves exploration. Try moving around your subject to get a pleasing composition. Going wide or zooming in will give a different focus on your subject, possibly placing them in their environment or drawing attention to just their face or other interesting features. The light on your subject also changes as you move and can be the difference between a strongly backlit subject that appears lost in the light or one that is warmly and evenly lit up. Getting more technical, you can even consider “working the shot” to involve choosing various aperatures if your camera is capable, to change the depth of field.

Great photographs are not made by accident and rarely are they the result of a single photo. Professionals see a photographic opportunity and then “work” it to explore the range of possibilities. It’s during the review and editing process that this collection of photos are then narrowed down to the few that really stand out and present the most pleasing image.

So get out there and start using this technique. Move around your subject, try framing it in various ways, shoot lots of photos and really utilize this one important tip for photographers…work the shot!

 

Sound Pro Studios now blogs with WordPress

Bruce County Video Production has a new player in the WordPress blogging world!   James Hooey of Sound Pro Studios has jumped into WordPress blogging to solve some technicalities I was running up against with my previous static html code blogs.

For some time I have created blogs to give you updates to new additions to the site as well as links to various video and After Effects projects/tutorials and the odd bit of various information. The downside was that my skills in incorporating some form of interactivity for you, my visitors, was how do I put this?….technically over my head. I’ll be honest I’m not a web development guru, I’m a professional videographer and as such my website is my online presence of my business. But I have always wanted to give visitors the chance to leave comments, ask questions and enjoy my blogs with as much multimedia capability as possible. I just ran into too much to learn to create various scripting, mySQL databases, PHP setup and so many things that made my head hurt.

WordPress was my solution….(and suggested to me by a knowing gentleman known as Gem Webb ” Tourism Social Media Manager“)

Now you will find that blog posts are readily organized, search-able, allow for embedding from other places that I post my video work from such as youTube and Vimeo and what excites me most is that you can now leave comments with the easy form system that WordPress incorporates into it’s blog publishing. Older SPS blogs may find themselves migrated into WordPress as well, but for now new posts will take precedent. If you wish to see the older blogs simply follow the link in the right sidebar marked “Old Sound Pro Studios Blogs”.

If this is your first time visiting  Sound Pro Studios new Bruce County Video Production blog then welcome and look forward to frequent updates about all things creative in the video, graphics and visual effects stratosphere.

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